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Autumn CD Reviews:
Published 9/25/04
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all
this everything
Perpetual Groove
All
This Everything, is the second studio album from Savannah,
Georgia’s Perpetual Groove. All This Everything
is a pleasure to listen to from start to finish. The continual
flow of beautiful spacey jams, to vocalized ballads, into goovin’
bass and drum layers, creates a cohesive sound that can be heard
on every track.
Perpetual Groove is a live band. You
can tell by their large sound, and their ability to blend and
melt together. This can be heard clearly on “53 More Things
to Do In Zero Gravity”, “Crockett & Tubbs”,
and “All This Everything pt II” where each member
takes his turn jamming.
Guitarist
Brock Butler plays a spacey guitar style that bends and weaves
it’s way through songs like maple syrup pouring into the
grooves of a waffle. The echoey sound is so large that it really
should not be contained to a car stereo or a small venue. This
music needs to be played loud and far.
Adam Perry on bass, and drummer Albert
Suttle are an interconnected unit that guides this band. On “Stealy
Man” Perry and Suttle lay down the perfect groove for Butler
and keys player Matt McDonald to be free to noodle over.
“Left to Drifting” is
reminiscent of the spacey jams that made Phish famous. The types
of jams where after 18 minutes you turn to your neighbor and ask,
“What song is this? I totally forgot.” The difference
between these Phish jams and Perpetual Groove’s style is
that P-Groove starts their songs in the middle of the jam. The
CD closer “And Everything” is a beautiful jam that
slowly fades up to expose the listener to a mid-jam moment, only
to then fade back down to the abyss. Lucky for us P-Groove will
not fade into the darkness.
In “Gone ‘Round The Twist”
an eerie voice, repeats between riffs. He sounds a bit like the
man in the red room from David Lynch’s Twin Peaks.
Talking backwards, then forwards, he tells me that “he is
just the little man that lives in my speaker.” That’s
fine by me as long as he keeps playing All This Everything.
For more information on Perpetual
Groove, including tour dates and band information, visit www.pgroove.com
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Is
King Chubby
In
the latest studio release from King Chubby, the band combines
two distinct styles. The band is able to create beautiful, subtle
and sensual sounds with the various reed instruments played by
Robert Dick and Will Ryan. Then in a split personality decision,
they will make a 180-degree turn and create intense, psyche-techno
jams with heavily synthesized sounds, distorted vocals, and intense
bass lines by Mark Egan.
In “Turn it On”, “Wandering
Angus”, and “Rock Sand” the chanting vocals
created by Ryan and distorted by master sampler Ed Bialek, can
turn a peaceful woodwind arrangement into a mysterious, and almost
disturbing, old world cry.
“Awaken” starts with drummer
Michael D’Agnostino laying down a solo, and then is slowly
overtaken by muffled chants.
While listening to Is, I can’t help
but wonder if director Peter Jackson heard King Chubby before
starting work on Lord of the Rings. The chanting and
vocal distortions created by King Chubby are disturbingly reminiscent
of Sauron chanting for the “one ring”. The power of
the vocals is thrilling, enchanting, and unsettling. And to think,
these guys look so normal on their CD cover.
All LOR references aside, Is can be defined
as the ultimate in instrumental world fusion. They harness the
sounds of the Middle East, Spain, Japan, and South America to
create a new kind of jam music. The talented musicians that make-up
King Chubby come from a diverse and unique background. Their originality
can be heard on every track of Is.
For more information about King Chubby, visit www.kingchubby.com.
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Kinetic
Transfer
Infradig
How
do you describe a band whose talent is so diverse that they can
change from techno, to jazz, to funk, to raw rock n’ roll,
back into drum-n- bass cycles all in a single CD track?
Infradig.
On Infradig’s latest CD Kinetic Transfer
they infuse every track with originality, technical musicianship,
and emotion. This band from Chattanooga, Tennessee encompasses
the sound of so many bands and musicians past, that they have
created their own sound for the present.
Infradig have the patience to lead the listener
into a song. This endurance allows each track on Kinetic Transfer
to build into a musical masterpiece. Every track is technically
composed. The repetitions intertwine, and commingle together in
a developed web of sound. The breaks are beautifully timed as
all four musicians bend and twist through songs together.
While the four members play as a cohesive unit,
they are all focused on their own instrument and its value to
the overall piece. Almost every track takes care to highlight
the talents of the individual musicians. Bassist, Dave Kaufmann,
keys player Carl Cadwell, Andrew Hobbs on guitar, and Josh Green
on drums, have created a cross genre sound that grooves and soothes.
For more information about Infradig visit www.infradig.net.
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Harbor
Nights
Mbandi
Sometimes
in life we all need to take it down a notch. Having had a crazy
summer myself, filled with emotional events such as weddings,
meetings with friends, good-byes with friends, good-byes to bands,
reunions, and friends becoming authors, I was in need of some
balance.
We at Meniscus have a few cardinal beliefs. Among
these is the fundamental belief in balance. Taking the advice
of my acupuncturist, I searched through CD’s for one to
help cultivate my yin. Situationally and constitutionally, those
of us with too much yang need to balance the teeter-totter, and
vice versa. In this topsy-turvy world of the rat race, could all
use a little relaxing. Musically however, I didn’t know
where to start.
Catching my eye, I picked up Mbandi’s new
album, Harbor Nights. I opened the CD cover to be pleasantly
surprised with exactly what I needed. The liner notes proclaimed
“Relax and unwind to the soothing piano music of...Mbandi.”
The piano compositons of Mbandi are all tastefully
arranged in a floating sonic ocean, where I could imagine myself
sitting on the deck of a boat sipping a chamomile tea, and watching
the sun retire behind the distant horizon. As I listen, cool ocean
breezes float through my hair prompting me to curl up under a
blanket and listen to the gentle waves brush against the hull
of the boat. This is no Jimmy Buffett paradise; this one is soothing,
and relaxing. It is not until the last song when vocals are introduced
that the line is crossed into the cheesy realm of sappiness. But
that’s OK, love is a beautiful thing.
Just the yin I need to ready me for the next blast
of yang lifestyle that is inevitably around the corner. But for
now, its time to turn off, and enjoy the evening in peace. Nothing
matters but...right...now...
For more information about Mbandi visit www.mbandimusic.com.
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